Humanitarian, philanthropist, and campaigner for Jewish emancipation on a grand scale, Sir Moses Montefiore (1784–1885) was the preeminent Jewish figure of the nineteenth century—and one of the first truly global celebrities. His story, told here in full for the first time, is a remarkable and illuminating tale of diplomacy and adventure. Abigail Green’s sweeping biography follows Montefiore through the realms of court and ghetto, tsar and sultan, synagogue and stock exchange.

Interweaving the public triumph of Montefiore’s foreign missions with the private tragedy of his childless marriage, this book brings the diversity of nineteenth-century Jewry brilliantly to life—from London to Jerusalem, Rome to St. Petersburg, Morocco to Istanbul. Here we see the origins of Zionism and the rise of international Jewish consciousness, the faltering birth of international human rights, and the making of the modern Middle East. With the globalization and mobilization of religious identities now at the top of the political agenda, Montefiore’s life story is relevant as never before.

Mining materials from eleven countries in nine languages, Green’s masterly biography bridges the East-West divide in modern Jewish history, presenting the transformation of Jewish life in Europe, the Middle East, and the New World as part of a single global phenomenon. As it reestablishes Montefiore’s status as a major historical player, it also restores a significant chapter to the history of our modern world.

Winner of the Theatre Library Association’s Richard Wall Memorial Award Special Jury Prize for an exemplary work in the field of recorded performance

After the advent of sound, women in the British film industry formed an essential corps of below-the-line workers, laboring in positions from animation artist to negative cutter to costume designer. Melanie Bell maps the work of these women decade-by-decade, examining their far-ranging economic and creative contributions against the backdrop of the discrimination that constrained their careers. Her use of oral histories and trade union records presents a vivid counter-narrative to film history, one that focuses not only on women in a male-dominated business, but on the innumerable types of physical and emotional labor required to make a motion picture. Bell's feminist analysis looks at women's jobs in film at important historical junctures while situating the work in the context of changing expectations around women and gender roles.

Illuminating and astute, Movie Workers is a first-of-its-kind examination of the unsung women whose invisible work brought British filmmaking to the screen.

In Moving Home, Sandra Gunning examines nineteenth-century African diasporic travel writing to expand and complicate understandings of the Black Atlantic. Gunning draws on the writing of missionaries, abolitionists, entrepreneurs, and explorers whose work challenges the assumptions that travel writing is primarily associated with leisure or scientific research. For instance, Yoruba ex-slave turned Anglican bishop Samuel Ajayi Crowther played a role in the Christianization of colonial Nigeria. Sarah Forbes Bonetta, a formerly enslaved girl "gifted" to Queen Victoria, traveled the African colonies as the wife of a prominent colonial figure and under the protection of her benefactress. Alongside Nancy Gardiner Prince, Martin R. Delany, Robert Campbell, and others, these writers used their mobility as African diasporic and colonial subjects to explore the Atlantic world and beyond while they negotiated the complex intersections between nation and empire. Rather than categorizing them as merely precursors of Pan-Africanist traditions, Gunning traces their successes and frustrations to capture a sense of the historical and geographical specificities that shaped their careers.

A Foreign Affairs Best Book of the Year

In the century since the Muslim Brotherhood first emerged in Egypt, its idea of “the West” has remained a key driver of its behavior. From its founding, the Brotherhood stood opposed to the British Empire and Western cultural influence. Its leaders hoped to create more pristine, authentically Islamic societies. As British power gave way to American, the Brotherhood oscillated between anxiety about the West and the need to engage with it, while American and British officials struggled to understand the group, unsure whether to shun or embrace it.

The Muslim Brotherhood and the West offers the first comprehensive history of the relationship between the world’s largest Islamist movement and the powers that have dominated the Middle East for the past hundred years. Drawing on extensive archival research in London and Washington and the Brotherhood’s writings in Arabic and English, Martyn Frampton reveals the history of this charged relationship down to the eve of the Arab Spring. What emerges is an authoritative account of a story that is crucial to understanding one of the world’s most turbulent regions.

“Rigorous yet absorbing…Fills a crucial gap in the literature and will be essential reading not just for scholars, but for anyone seeking to understand the ever-problematic relationship between religion and politics in today’s Middle East.”
—Financial Times

“Breaks new ground by examining the links between the Egyptian Brotherhood’s relations with Britain and…the United States.”
—Times Literary Supplement